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2011/02/14

MYFFF受賞結果

わたくし牛津も審査の片棒を担がせていただきました、フランス主導の完全オンライン映画祭「第1回マイ・フレンチ・フィルム・フェスティバルの受賞結果が発表されました。

Myfff_usa
ちなみに牛津は長編部門『もうひとりの私』、短編部門『壊れた車』に票を投じたのですが、さて結果はいかに。。。?

Myfavorite
これしかない!これこそ名作だ!これが受賞しなくてどうする!と自信に充ち溢れた1票を下したものの、結果を概観すると他の審査員の嗜好性は全くもって別の作品へ向いていたようです。

これは私の「見る目のなさ」か、「国民性の違い」か、それとも「多様性のあらわれ」なのか。牛津は非常に興味深くこれらの結果を受けとめました。

そして、他者と自分の好みが究極的に違うのだというごく当たり前の事実を噛みしめられた経験に喜びを覚え、なおかつ今あらためて考えてみると以下の受賞結果にも自分と好みを同じくする部分が少なからず見受けられるのも事実です。

こうやって自分と他者とが描く嗜好性や審美眼の不器用な円の交錯部分を探っていくことこそ、このようなコンペテション審査における最も意義深いところと言えるのかもしれません。

Three awards presented

The festival’s Audience Prize was awarded to All That Glitters by Géraldine Nakache and Hervé Mimram (feature film) and to Mémoires d'une jeune fille dérangée by Keren Marciano (short film).

観客賞は長編部門『きらきらしてる』、短編部門『倒錯した若い女性の追憶』

Tout
The International Press Award (voted by 20 journalists from 20 different territories) was given to Silent Voice by Léa Fehner, with a Special Mention for The Wolberg Family by Axelle Ropert (feature films) and Babel by Hendrick Dusollier (short film).

プレス審査員賞は長編『堕落への道連れ/声なき声』、スペシャル・メンション『ヴォルベルグ一家』、短編『バベル』

Jury

The Bloggers' Prize awarded by 35 foreign bloggers was presented to both Espion(s) by Nicolas Saada (feature film) and En attendant que la pluie cesse by Charlotte Joulia (short film).

ブロガー審査員賞は長編『スパイ』、短編『雨が連れてくるもの』

Espions

*********

The three award-winning feature films will be screened on all Air France flights, starting in April 2011.

310,000 Internet users from 171 countries around the world visited the myfrenchfilmfestival.com website

The newly launched website myfrenchfilmfestival.com attracted 310,000 Internet users from 171 countries. Visitors flocked to the 1st Online French Film Festival, held from January 14 through 29, 2011. With over 1.3 million pages viewed, this marks a major success for the website, exceeding organizers’ expectations.

The five countries generating the highest number of visits were Brazil, the United States, Russia, Mexico, and France, followed by the United Kingdom, Colombia, Japan, the United Arab Emirates, and Spain.

38,000 film viewings were registered on the various platforms hosting the festival. The myfrenchfilmfestival.com website was accessible around the world, while KT was also accessible in Korea, FilmIn in Spain, and JCOM in Japan. These excellent figures encourage us to pursue such initiatives on the Internet.

Film viewings were most active in Brazil, Russia, Colombia, and Mexico (4 territories in which viewings were free of charge), followed by the USA (paid viewing), Argentina (free viewing), France, Italy, Spain, and Germany (all requiring fees).

The proportion of paying viewers was 40% of all viewings. It is worth noting that free viewing facilities in certain countries were made possible by the covering of technical expenses and payment of royalties undertaken by the festival’s private partner Essilor Varilux and Unifrance Films.

The website and films presented were accessible in ten languages: German, English, Arabic, Korean, Spanish, French, Italian, Japanese, Portuguese, and Russian.
The festival’s official launch was held simultaneously at Unifrance’s press conference in Paris on January 14 and in New York, in the presence of Christopher Thompson, director of one of the ten feature films selected in the festival’s competition.

The dates for the second myfrenchfilmfestival.com event will be announced shortly.

Unifrance wishes to express its thanks to the following organizations for their support:
The Centre National du Cinéma et de l’Image Animée, the Ministry of Culture and Communication, the Ministry of Foreign and European Affairs, as well as French Embassies, and Renault, Varilux, Air France, Dailymotion, Euronews, Eurochannel, RFI, Variety, Télérama, and LePetitjournal.com.

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